Hannes Kerschbaumer: schraffur

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1830

Many people today complain that much of the music that is labeled as contemporary has always the same characteristics. Such a statement would need to be revised, especially considering the fact that we are faced with complex propositions: in the end we succeed in overturning the prevailing idea and even to enucleate a style. An emblematic case we can very much appreciate comes

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Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.