Franz Koglmann

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L’accostamento tra musica classica e jazz ha subito notevoli differenziazioni nel passaggio tra generazioni: se Gershwin, Ellington e la prima truppa di compositori americani costituivano le prime incursioni del jazz nel mondo della musica colta, lo sviluppo intrapreso negli anni successivi dai musicisti jazz sostituì al mondo dello swing e del be-bop, quello del free jazz; gli incroci diventavano

Articolo precedenteViolini ed ambienti newyorchesi: Todd Reynolds e Cornelius Dufallo
Articolo successivoKeith Jarrett: piano solo
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.