Charles Dodge e Paul Lansky: punti di contatto tra musica elettronica e computer music

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Ettore Garzia
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RCA Mark II Sound Synthesizer, Computer Music Center at Columbia University, NIME2007, Somaya Langley from Australia (for now), CC BY-SA 2.0, no change was made
Il Columbia-Princeton Electronic Music Centre all’interno della Columbia University di New York fu il primo organismo stabile a dare una veste concreta alle ricerche che si stavano aprendo nel campo dell’elettronica: fondato nel 1950 fu la sede abituale di giganti e pionieri dell’elettronica (Babbitt, Varese, Bulent Arel, Ussachevsky e Davidosky, Berio

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Ettore Garzia
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He studied music, he wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.

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