Tratti distintivi di Jan Dismas Zelenka

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Jan Dismas Zelenka memorial in Louňovice pod Blaníkem, Czechia - neighborhood, Source Own work Author Ivan Rozkošný, Creative Commons Attribution-Share Alike 3.0 Unported license.

Uno dei passaggi più delicati dal periodo rinascimentale a quello barocco fu incentrato sul canto; causa lo scisma tedesco di provenienza luteriana, le tre tipologie principali di figure musicali (madrigali, mottetti e messe) subirono decisive modificazioni nello stile: mentre i madrigali tenderanno a scomparire in una forma ritenuta più fruttuosa di canto in debito con

Articolo precedenteA spasso tra Roma e Venezia nel tardo rinascimento
Articolo successivoGravità Modale
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.