Boulez, Music and Philosophy

0
465
Fonte Opera propria Autore Paul Ruet, Creative Commons Attribuzione-Condividi allo stesso modo 3.0 Unported, 2.5 Generico, 2.0 Generico e 1.0 Generico, no change was made
Nell’ambito del panorama musicale contemporaneo odierno sembra evidente la mancanza di punti di svolta e soprattutto la genialità del pensiero. Coloro che hanno edificato l’edificio di Darmstadt e ne diedero piena configurazione accademica nel dopo guerra, originando una

Articolo precedenteRamanan/Jackson/Thompson: Zubeneschamali
Articolo successivoPer Norgard al traguardo dell’ottava sinfonia
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.