Il ritorno imponente della melodia

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“…(the) process of decomposition is not new in jazz. It originates from the ‘‘broken speech’’ of boppers, and before that in some of the greatest piano solos (think of Art Tatum), which for the first time broke the narrative continuity

Articolo precedentePeter Eötvös, compositore dei movimenti cosmici
Articolo successivoI Non-Tonal Technical Studies di Tonino Miano
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.