Franck Yeznikian

0
464
tomislav medak Segui Akademie Schloss Solitude :: Bad Reading :: Chronicles of Work :: Franck Yeznikian, https://creativecommons.org/licenses/by-sa/2.0/, no change was made

Non è di poco conto nella formazione professionale di un compositore moderno l’interesse per l’organizzazione della musica acusmatica: nel caso di Franck Yeznikian (1969) direi che tale circostanza è un fondamentale viatico di approccio all’interezza della sua musica. Dopo aver assorbito l’ègida di Klaus Huber, Yeznikian ha diversificato l’apprendimento in nobili appendici della musica contemporanea, approfondendo i legami della microtonalità (di

Articolo precedenteUwe Oberg: Twice, at least
Articolo successivoChristian Wolff’s solo piano
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.