Nikolaus Harnoncourt e la corretta interpretazione

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Venice Baroque Orchestra, Source Own work Author Mrug, Creative Commons Attribution-Share Alike 4.0 International, 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license. no change was made
“….I like to say that music prior to 1800 speaks, while subsequent music paints. The former must be understood, since anything which is spoken presupposes understanding, while the latter … should be felt….”
Nikolaus Harnoncourt, da Baroque Music Today: Music as a speech: ways to a new understanding of music, Amadeus Presse, 1988
Ho scelto di proporvi

Articolo precedenteNew York, Neither/Nor Records e i progetti di Carlo Costa
Articolo successivoUn pò di impro-compo germanica per la Leo Records
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.