L’elettronica umanizzata e i “vuoti” di C.S. Mahnkopf

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Il libretto plurilingue che accompagna le world premiéres di “Void” recita: “…Two central themes of my artistic work are the fate of Judaism and the disasters of the 20th century…“. In verità, qui Void sta per tre composizioni di Claus-Steffen Mahnkopf, di cui 2 pensate per la grande orchestra (le registrazioni sono affidate alla Symphonieorchester

Articolo precedenteSuoni della contemporaneità italiana: Osvaldo Coluccino
Articolo successivoWind through the Strings: Recent Chamber Music of Robert J. Martin & Scott Brickman
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He studied music, he wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.