Relazioni binarie e mappe della sociologia musicale

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Source Grandjean, Martin (2014). "La connaissance est un réseau". Les Cahiers du Numérique 10, Author Martin Grandjean. No change was made
Tra le novità più limpide del jazz e dell’improvvisazione degli ultimi dieci anni, gli studi armonici di Steve Lehman nonché le strutture modulari di Bartsch (e di tanti altri musicisti affini) impongono già un sentiero di revisione: non è un caso

Articolo precedenteSuoni della contemporaneità italiana: fluttazioni quantistiche delle orchestre
Articolo successivoUn pulviscolo di organismi nascosti: Chaya Czernowin
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.