Il duo pianoforte/contrabbasso nella libera improvvisazione

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“...Musicians (especially improvising) can turn each other on, or off. Some combinations produce really high-level discovery, with others, there’s nothing happening. We can always tell (so can the listeners) when the stuff is good. The music takes off, and the clock goes fast. Surprise and pleasure take us away from nowhere, and when it’s over, there is nothing

Articolo precedenteOn Alberto Posadas’ poetics
Articolo successivoSulle tecniche espressive del canto: Stefano Luigi Mangia
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.