Roberto Dani Forme Sonore Ensemble: Tracce

0
385
Foto Fabio Macis

“…the image has the opacity of the infinite, the idea the clarity of a finite and analysable quantity. Both are expressive…”
Jean-Paul Sartre, L’imagination, Presses Universitaires de France, 1936 – Translation Routledge 2012.

L’attualità pone sempre più in rilievo l’importanza del suono apparentemente scontrandosi con una tradizione secolare che vede tutta la teoria musicale costantemente votata alla ricerca di un forma. Tra le grandi novità del Novecento c’è proprio quella di una riconsiderazione del rapporto tra suono e forma; la distinzione non ha ragione di porsi se pensiamo

Articolo precedenteSu Steve Albini
Articolo successivoPeter Thoegersen: Polytempic Polymicrotonal Music in Four Pieces
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.