La vocalità nell’esperienza contemporanea del teatro musicale

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Zangeres Cathy Berberian (sopraan) arriveert op Schiphol voor het Hollandfestival 1972 - Photographer Unkno wn (Anefo)Source Nationaal Archief, Fotocollectie Anefo Original at Nationaal Archief with id abec5cbc-d0b4-102d-bcf8-003048976d84 - Creative Commons CC0 1.0 Universal Public Domain Dedication.

I cambiamenti intervenuti nel Novecento nelle forme di rappresentazione musicale conosciute e decodificate da oltre due secoli, modificano anche la prospettiva del “canto” classico, sul quale si era raggiunta una pericolosa convenzionalità, troppo imparentata con l’intrattenimento e guidata dalle mode in Europa. Se accogliamo la

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Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.