In free improvisation creative acts are the result of a series of implications that concern the personal sphere of each musician. Free improvisation is a communicative state based on previous skills, intuitions and openness to dialogue, a practice capable of avoiding that terrible questioning that afflicts written music, that is, considering whether it is a language with a stable grammar: given that one does not improvise from nothing, free improvisation is an almost therapeutic place, with expressions that meet on the basis of a tactile relationship.
Sylvain Monchocé and Daniel Studer seem to thrive in improvisational dialogue and a few months ago they published DUO for Impakt R., 7 improvisations between gayageum, a traditional instrument of Korean origin and the double bass. We have already spoken about
