Italian reviews/Inserto recensioni improv Italia, part 1
The antinomy between composition and improvisation is often a false one; much contemporary improvised music, even when eschewing any pre-existing formal strictures or explicit structures, shows a predisposition toward a sensibility deeply molded by...
Renewing Modernism: The Music of Ross Feller
Through its innovations in technique, technology and formal structures, the Western art music of the second half of the last century continues to exert influence on and offer possibilities to contemporary composers and performers....
Un simposio per il contrabbasso: le basi di una nuova era (parte seconda)
Alisei & Stefano Scodanibbio’s Poetics of the Double Bass
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In a recent piece I suggested that the contemporary equivalent or near-equivalent of the old Common Practice of functional harmony just might be found in the...
Notes on the Music of Sound III: Time and Plastic Organization in Timbral Music
Daniel Barbiero
Astratto: Il tempo è un elemento strutturale nelle opere timbriche. Esso svolge un ruolo sintattico grazie alla sua capacità di integrare e separare eventi sonori. Spazi negativi, silenzi, sono elementi di tempo che...
Creative Sources Records
Daniel Barbiero
Creative Sources Records, based in Portugal, was conceived in 1999 by violist/composer Ernesto Rodrigues as an outlet not only for his own work but for the kind of challenging, non-commercial music that appealed...
Music as Sound as Music: On Making Nostos
Nostos, a collaboration between bassist/electronics artist Cristiano Bocci (Follonica GR) and myself, represents a melding of the organic, acoustic sounds of the double bass with after-the-fact timbres and supplementary compositional structures afforded by the...
Tod Dockstader (1932-2015)
The work of American sound artist Tod Dockstader (1932-27 Feb 2015) ran parallel to the technological changes that took electronic music from tape manipulation to the synthesizer.
Dockstader started out in the visual arts, working...