Notes on the Music of Sound III: Time and Plastic Organization in Timbral Music
Daniel Barbiero
Astratto: Il tempo è un elemento strutturale nelle opere timbriche. Esso svolge un ruolo sintattico grazie alla sua capacità di integrare e separare eventi sonori. Spazi negativi, silenzi, sono elementi di tempo che...
Louis-Michel Marion
When handled as a generator of sound, as French bassist Louis-Michel Marion does, the double bass reveals itself to be the versatile container of sonic multitudes that it is. That this is so is...
“To Play Is Both a Sign and a Symptom of Existence”: David Toop’s Into...
The usual caveats warning against generalizations aside, it’s safe to say that in the arts as in other fields of life, the second half of the twentieth century was an era of improvisation. Encouraged...
Multiple perspectives of improvisation
Some thoughts on these new selected works:
-George Lewis, Recombinant Trilogy, New Focus Recordings
-Fred Frith & Ikue Mori, A Mountain Doesn't Know It's Tall, Intakt R.
-Jeremiah Cymerman & Charlie Looker, A Horizon Made of Canvas,...
After All, Saxophone is a Metal Instrument: Ulrich Krieger’s “Acoustic Electronics”
By most accounts, one of the most perplexing rock albums ever released was Lou Reed’s Metal Machine Music. Was it a taunting prank directed at Reed’s fans, the grudging fulfillment of a contractual obligation...
Marcio Mattos: “Cello Is the Bit of the Bass That Was Missing”
The relationship between the cello and double bass isn’t quite as straightforward as it might seem. More first cousins than siblings—the double bass is thought to derive from the old viols, while the cello...
Notizie
ECLAT Festival
Nel pieno di una campagna elettorale estremamente rischiosa per la Germania democratica inizia l'ECLAT festival a Stoccarda. L'edizione del 2025 vede numerosi partecipanti in...
