Elisabeth Coudoux: the cello, the Emiszatett’s project and an interview
In the improvisational act the relationships between the musicians are fundamental and the action is supreme. A part of philosophy and pedagogy's world have increased emphasis on the importance of the experiential factor tenfold...
Notes on the Music of Sound II: Timbral Music and Plastic Values
Notes on the Music of Sound II: Timbral Music and Plastic Values
Daniel Barbiero
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Much contemporary experimental music puts sound color, or timbre, to the foreground, generally through extended techniques or...
Bonanza of Doom
Here in the third decade of the 21st century, it almost seems irrelevant to think in terms of genre. Certainly a good number of musicians working in the more exploratory areas of their fields...
Enrico Fazio Critical Mass: Shibui
Also in this recording Fazio provides a value musical product, which has a strong point in the freshness of the musical solutions and in the emotional transport of the musicians of the band.
In "Shibui"...
Marco Colonna and Giulia Cianca: Undici pianeti
The contemporary world often seems to be nothing short of a permanent atopia – a place in which one is perpetually out of place, a locus of transience in which one is forever a...
Tanja Feichtmair / Fredi Proll / Uli Winter: Trio Now!
"Trio Now!" is based on a strong charge of enthusiasm, with the conscious (but not identical) pride of the "now" of Max Roach's times (We insist!); we are on the border between free, abstract...
New harmonies from spectralism: Rozalie Hirs
Today it is legitimate to ask where the new developments of contemporary music lie and in particular what happens to its most recent subdivisions. For example, the qualities of spectralism have long been invoked,...