Anto Pett/Christoph Baumann: Northwind Boogy
The winning feature of this first pearl of 2013 is the resolute character of music that organizes puzzles of sounds in a form extraordinarily personal in which we can affirm to be in front...
A new talent of free singing: Hanna Schörken
"...the voice is much more than a musical instrument. Through speech it connects us to the social world, and thence to traditions of poetry, drama, comedy, etc. It reveals much about the speaker, from...
Fifty Years After the Way: James Tenney’s Meta+Hodos
Composer James Tenney’s Meta+Hodos was an early formulation of what he described as a “conceptual framework for musical description and analysis.” Tellingly, Tenney chose as his title an etymological breakdown of the word “method,”...
Maja Osojnik – Doorways
Slovenia-born, Vienna-based Maja Osojnik is an experimental composer, vocalist, electro-acoustic improviser, sound artist, producer, DJ and the founder of the Mamaka Records label. Her work encompasses early music, contemporary music, alternative rock, experimental jazz,...
Italian reviews/Inserto recensioni improv Italia, part 1
The antinomy between composition and improvisation is often a false one; much contemporary improvised music, even when eschewing any pre-existing formal strictures or explicit structures, shows a predisposition toward a sensibility deeply molded by...
Mimmo, Mevel, Waziniak: Constellative Trio
The Constellative Trio is the improvising trio of French musicians Gaël Mevel and Thierry Waziniak, along with the Italian soprano saxophonist Gianni Mimmo. Although this self-titled album is their debut release as the Constellative...
Un simposio per il contrabbasso: le basi di una nuova era (parte seconda)
Alisei & Stefano Scodanibbio’s Poetics of the Double Bass
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In a recent piece I suggested that the contemporary equivalent or near-equivalent of the old Common Practice of functional harmony just might be found in the...
Elisabeth Coudoux: the cello, the Emiszatett’s project and an interview
In the improvisational act the relationships between the musicians are fundamental and the action is supreme. A part of philosophy and pedagogy's world have increased emphasis on the importance of the experiential factor tenfold...