Vykintas Baltakas: b(ell tree)
"....I cannot claim to have discovered Vykintas Baltakas (born 1972): he was recommended to UE by various contact. This maverick Lithuanian, a pupil of Wolfgang Rihm and Peter Eotvos, speaks a musical language all...
Reinhard Fuchs: Mania
A gifted class was undoubtedly that of Michael Jarrell at the University of Music in Vienna in the period 1995-2002, inspired by a composer particularly inclined toward interpretations, viewed as an autonomous, interactive model...
Roman Haubenstock-Ramati: Konstellationen
To speak of Roman Haubenstock-Ramati is to enter into a large semiotic and emotional debate: many theorists, critics and musicologists have downplayed the innovative power of the Polish-born composer, considering that its main feature,...
Viola & Electronics: The Voice of a Hybrid Being
Although traditionally used to fill in harmonies or double melody lines, the viola has become increasingly prominent as a solo instrument in modern and experimental settings. Part of its appeal is the relative salience...
Notes on Field Recording
(My recent work on Doubting All Things Aligned, a collaboration with Chris Lynn that combines field recordings with composed and improvised music, stimulated these thoughts on field recordings—the part of the collaboration I was...
Friedrich Cerha: Nacht/Drei Orchesterstucke
The two orchestral compositions included in this long-awaited new CD of work by the composer Friedrich Cerha have a deep tie with the astrolabe and the oriental mystic. To give more detail, both Nacht...
Gato Barbieri (1932-2016)
Although probably best known for his soundtrack to the 1972 Bernardo Bertolucci film Last Tango in Paris, tenor saxophonist Leandro “Gato” Barbieri, who died on April 2, was an innovator in fusing elements of...
Christopher Shultis & the Experimental Music Tradition
The 1920s and 1930s were a fertile time for experimental music in America. Composers such as Henry Cowell, George Antheil, William Russell—and very soon after, John Cage—explored...
After All, Saxophone is a Metal Instrument: Ulrich Krieger’s “Acoustic Electronics”
By most accounts, one of the most perplexing rock albums ever released was Lou Reed’s Metal Machine Music. Was it a taunting prank directed at Reed’s fans, the grudging fulfillment of a contractual obligation...
Notizie
KLANG: Hyperstition
Nell'ambito delle attività dell'ufficio stampa Sfera Cubica, un luogo di promozione musicale con sede in Emilia Romagna, ci sono anche i progetti di KLANG,...
