Lukas Ligeti/Thollem McDonas: Imaginary images
In "Imaginary images" we have two musicians who put aside the research, the frills of the composition or the musical traditions, and confront one another solely on the obvious reality of their instruments.
Of course...
Tod Dockstader (1932-2015)
The work of American sound artist Tod Dockstader (1932-27 Feb 2015) ran parallel to the technological changes that took electronic music from tape manipulation to the synthesizer.
Dockstader started out in the visual arts, working...
Christopher Shultis & the Experimental Music Tradition
The 1920s and 1930s were a fertile time for experimental music in America. Composers such as Henry Cowell, George Antheil, William Russell—and very soon after, John Cage—explored...
Notes on the Music of Sound III: Time and Plastic Organization in Timbral Music
Daniel Barbiero
Astratto: Il tempo è un elemento strutturale nelle opere timbriche. Esso svolge un ruolo sintattico grazie alla sua capacità di integrare e separare eventi sonori. Spazi negativi, silenzi, sono elementi di tempo che...
Joachim Gies, Ensemble X and Gerd Wameling: Mnemosyne
In "Mnemosyne", you notice the composer's passion for the Greek theater and for the existentialist poets and philosophers: in a performance at Villa Elisabeth in Berlin, Gies plays with the ensemble X (composed by...
Callas and other personalities in the new works of Ivo Perelman
Ivo Perelman's new works suggest an explicit reference to some fundamental musical figures of the past: the sources of inspiration of the saxophone player are Maria Callas (a novelty for his style), the great...
Russian jazz musicians: between free and contemporary jazz
Many critics of free improvisation/free jazz insist to give an appropriate value to the sounds that can evoke images or become simulations of an event or an object: this theory is based mainly on...
Anto Pett/Christoph Baumann: Northwind Boogy
The winning feature of this first pearl of 2013 is the resolute character of music that organizes puzzles of sounds in a form extraordinarily personal in which we can affirm to be in front...
Thieke and Fagaschinski: The International Nothing
What has the twenty-first century taught us so far? I have repeatedly spoken of a century of idiocy but, if we go into the details, we could also say that the strangeness that is...
Potage du jour: Go South!
"Go south!" draws the potential of Franziska Baumann's voice, without distinctions, following a path entirely fortuitous: piano and sax (Christoph Baumann and Jurg Solothurnmann) provide an excellent and fantasious coverage of free jazz, useful...