Contemporary flute and piano: a range of action and 10 pieces to survive
Bruno Mantovani stated that writing a score for an orchestral instrument in combination with a piano was one of the most difficult things to manage; it was a difficulty that arose in the sclerotization...
Authenticity, scenarios and movement: a dialogue with Harri Sjöström
Keepers of so-called "good taste" should always improve their interpretations when evaluating a painting and should abandon their prejudices. Let us take, for example, Nude Descending a Staircase no.2, the great painting by Marcel...
Grace Note: Fuentes, Haring, Brus
Combining music with the other arts has been attempted frequently, but a true and complex qualitative leap was effected only with the advent of interdisciplinary modernism; little by little, the representations that originally involved...
Mimmo, Mevel, Waziniak: Constellative Trio
The Constellative Trio is the improvising trio of French musicians Gaël Mevel and Thierry Waziniak, along with the Italian soprano saxophonist Gianni Mimmo. Although this self-titled album is their debut release as the Constellative...
Marlies Debacker’s first solo piano: focus on Shimmer and a conversation with her
In free improvisation there is already a conspicuous literature addressed to musicians who are heavily immersed in the interior of the piano. Recent examples of explorations managed by seeking a massive accommodation in the...
V. Guyvoronsky with N. Ahsan & D. Kucherov: Around Silence
Vyacheslav Guyvoronsky is considered as the best and most representative jazz trumpeter in Russia: Vyacheslav already has a large group of works done with an eclecticism of substance: no doubt, the best feature of...
Enrico Fazio Critical Mass: Shibui
Also in this recording Fazio provides a value musical product, which has a strong point in the freshness of the musical solutions and in the emotional transport of the musicians of the band.
In "Shibui"...
Ryan Carter: Chamber works
In music the average listener usually tries to find a rhythm in any composition but modern music changes his perceptions: the composer tends to elaborate rhythm, to segment it, to stratify it. Stravinsky began...
Afro Garage: Eighteen Ways to Miss Egypt
“Eighteen Ways to Miss Egypt" highlights the center of gravity of improvisation. It deals with a varied, oblique and ironic, ethnic and insightful situation, with a good degree of oddness—a different way of organizing...
Notizie
Venezia – Biennale Musica 2024
Per il consueto appuntamento con la Biennale Musica 2024 il tema scelto è quello della 'musica assoluta', intesa come musica scritta o programmata senza...
