Elisabeth Coudoux: the cello, the Emiszatett’s project and an interview
In the improvisational act the relationships between the musicians are fundamental and the action is supreme. A part of philosophy and pedagogy's world have increased emphasis on the importance of the experiential factor tenfold...
Ensemble Nikel: Radio Works
Ensemble Nikel is the quartet of American, Switzerland-based percussionist Brian Archinal, Israeli electric guitarist Yaron Deutsch (who teaches at the Hochschule für Musik in Basel), Swiss pianist and keyboard player Antoine Françoise and German...
Un simposio per il contrabbasso: le basi di una nuova era (parte seconda)
Alisei & Stefano Scodanibbio’s Poetics of the Double Bass
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In a recent piece I suggested that the contemporary equivalent or near-equivalent of the old Common Practice of functional harmony just might be found in the...
Anthony Cheung: Music for Film, Sculpture, and Captions
It’s just as the title would have it. Music for Film, Sculpture, and Captions, the fifth monograph album from composer Anthony Cheung, contains three works written for, or inspired by, film, sculpture, and closed...
Jessica Pavone: Synthesis and action
Sometimes art moves through historical syntheses. The musician's experiences can travel together as a refraction of principles, of previous knowledge, able to connect to his sensitivity and, as Kant said, show the signs of...
Miroslav Beinhauer – Adrián Demoč: Piano
Thanks to the elsewhere label I got to know the most beautiful and moving music of Slovak contemporary composer-educator Adrián Demoč as interpreted brilliantly by Czech pianist Miroslav Beinhauer. The elsewhere label focuses on...
Giacinto Scelsi Revisited
Music cannot exist without sound, but sound can certainly exist without music. Therefore it would seem that sound is more important. We can start from here (Giacinto Scelsi).
Kairos R. pubblica ufficialmente il set di...
Håkon Thelin’s Folk Music for Double Bass
Any musical instrument represents a certain set of possibilities. Constrained by the instrument’s particular characteristics—both as a unique individual and as a member of a class of instruments—these possibilities offer a range of potential...
Pascal Niggenkemper: blòc
One of the fundamental principles animating much 21st century music, whether improvised or composed, is the creative integration of an expanded field of sound or sound-producing gestures into the basic fabric of the work....
Notizie
Lo Spontaneous Music Festival a Poznań
Nelle tante ricerche che ho svolto per conoscere meglio le realtà musicali nelle varie nazioni europee, devo riconoscere che per la Polonia ho avuto...
