Zooom Trio: What’s for dessert
Zooom trio renews the feelings of the language of Davis's Bitches Brew, but changes two essential parameters: there is more space for freedom of the rhythm section and the climate of improvisation is immersed...
Antonio Bertoni: 1/2 h(our) drama
Joseph Beuys holds a special place in the history of those human "meteors" who did not have the right weight: in the sixties the equivalent in Europe of the spectacular and unconventional art-pop of...
Louis-Michel Marion
When handled as a generator of sound, as French bassist Louis-Michel Marion does, the double bass reveals itself to be the versatile container of sonic multitudes that it is. That this is so is...
Timothy McCormack’s Geological Soundscapes
Pull up an image of a karst and you’re likely to see a distressed, often vertiginous landscape of water-carved rock faces pitted with crevices and caves. Under the surface may be running water, but...
Sérgio Carolino: Below 0
Those who have followed the artistic path of Sérgio Carolino know very well his eclecticism. The Portuguese artist is one of the modern interpreters of the tuba, one of the most appreciated in the...
Núria Andorrà: on the interdisciplinary nature of free improvisation
Many times the best music comes across through an observation of the creative idea, something that puts in communication the essence of an idea or a musical development early established in the mind of...
Henrik Munkeby Nørstebø and His Dystopian Dancing
A relevant aesthetic problem of modern music is that of the modification of timbre, and authoritative interventions have questioned its value with never decisive arguments. Jean-Jacques Nattiez, for example, was skeptical about creating works...
Ian Power: Maintenance Hums
Nella filosofia della musica ci si è imbattuti spesso nel problema della significatività: teorici come Koopman o Davies hanno riconosciuto che la musica possa fornire dei significati, anche nell'assenza della parola, dove un Kivy,...
Togetherness music: Alexander Hawkins at his best
On these pages, talking about the music of the English pianist Alexander Hawkins is becoming an increasingly frequent occurrence. There are two reasons for our interest, one linked to the quantity of ideas and...